music is life, music is breath, music is us



New song: “I Thought I Never Needed Anyone/Glimpses”

This song is a result of many different songs, many different ideas I had coming together at the right moment. I had a moment of clarity in how I wanted to approach things musically and was able to put it all together after a dry patch of writing songs featuring my voice. I suppose there is a certain amount of vulnerability when I sing, I’m not totally used to just putting myself out there on display like that. In this case, I sing and play all instrument synth/piano effects (everything you hear is the result of my playing and my computer working together in my design). The lyrics are interesting. When I first wrote them, in their first draft, I was thinking of a love song cut and dry. A few drafts later, there is enough thematic material that you can allow for interpretations of your own. For me, it’s still about a girl, and it is also about me. About “me” as a human being, looking introspectively, which for some reason works here? There are many influences on my song-writing, but I think with this track I found the greatest inspiration in Radiohead (especially songs off of “In Rainbows” and “Amnesiac”). I know full well my music is not meant to reach a broad audience, it is very eccentric/experimental (yet at times approachable), so receive it how you will. Listening to it once, just giving it a chance, means something to me and I thank you for it.

Ice cold veins
Woken by light
Static frequency
Broken into the day
Grasp my hand
This fear will break
You can say I feel
But numb
Where do I belong?
I thought
I never needed this
I thought
I never needed anyone
The lies and the truths
Each pave their way
Intersecting in the paths
Of our minds
Within us
Don’t run away
It’s just me


Dream Theater – Red Hill Mining Town (U2 Cover)

Legends cover other legends. Result? Something pretty damn amazing.


Ornette Coleman-”All My Life”

Don’t be a square man, listen to this.

Interview with Tasmanian punk rock band Luca Brasi


(These dudes are going places, I just know it. One listen to their songs and you’ll see that Luca Brasi are truly a talented and determined punk band. Enjoy the interview-Derek)

Derek Kortepeter : So tell me how you guys got started as a band?

 Luca Brasi: We started out initially with two of us mainly just drinking and throwing together chords on acoustic guitars. Eventually we added another mate and then another, between us we had a full lineup and began writing and practicing more formally. A few lineup changes occurred but we are now at a solid lineup of which we are stoked on!

 DK: Was punk always the direction your sound was heading? How did you as a band develop and polish your sound?

 LB: Definitely, we began as mates who loved the same kind of music and grew up together listening to mostly punk rock. Especially early nineties bands initially which just spread into a little more diverse territory. Our sound changed gradually from us growing up I guess, we incorporated more elements from styles we loved.


 DK: Who would you consider to be some influences of Luca Brasi?

 LB: First and foremost we began with a fairly big Hot Water Music influence who would still be collectively our favourite band. Lately there would be more intricate guitar driven bands such as Tiny Moving Parts who Tom (our guitarist) loves and we have attempted to meld with a more raw punk sound.

 DK: What is it like being a band in the current Aussie music scene, is it difficult in any way?

 LB: Being in a band in this genre is awesome, there seems to be no better time. Being a long way from other countries is the main difficulty, coupled with the expense of being overseas in said countries. The support and backing for bands in this genre and similar seems to be increasing exponentially!



 DK: Do you have specific experiences you draw from to write your music? In that same vain, do you have any particular process of writing your songs?

 LB: Lyrically it’s all pretty personal stuff. I mostly write about that which is affecting me personally at the time. It seems like it’s also fairly contextual, centred around places, friends, family etc. Writing lyrics mainly starts with small ideas, then a theme and a bringing together of many different excerpts. Musically Tom comes up with a lot of the basic parts for the songs, we then demo what we can and work together both individually and as a band to change or keep what we have.

 DK: You toured alongside one of my all-time favorite bands, Melbourne’s Bodyjar. Having had the opportunity to speak to Cameron Baines more than a few times I know that, besides being a group of incredible musicians, they are also really chill dudes. What was the whole experience like of being on tour with such legends of punk?

 LB: Bodyjar are such great guys, it was pretty humbling to hear that they’d contacted us themselves to tour with them, especially after a fairly long time between tours and albums! The whole thing was just a massive party. Nothing seems to faze those guys and we just had an absolute ball the whole time, heaps of camaraderie.


 DK: Can you talk about your newest album By a Thread, what the album means to you and how it compares against the previous record Extended Family?

 LB: By a Thread is a far more dynamic record. It feels like with the first one it kind of just starts and finishes at the same speed. What we were going for was introducing some light and shade to the new album and really pushing ourselves musically. This one I feel reflects who we are individually a lot more and draws on what we each love about music. We spent a lot longer crafting this record rather than the first time around when we basically recorded every song we had and hoped it was a record!


DK: Especially with punk music the live shows are often where bands truly rise or fall alongside their audience. What type of energy, emotion, or overall ambiance do you try to bring to your live shows to connect with your crowd?

 LB: When we write songs and record albums we only include exactly what we can pull off at a live show. Keeping it as honest and true to live as possible is our goal. Playing live means everything to us and we set out to give everything we have to every single show, big or small. We want everyone there to feel the whole thing and be a part of it.


DK: Say we wanted to see you live, what venues do you plan on playing? Any plans for shows outside your native Australia?

 LB: We are currently in the process of booking our first shows outside of Australia. Very exciting prospect! It’s great to be in the position where the interest and offers are starting to build enough to know that we will have a great trip! Europe/U.K will be later this year, with New Zealand and also China as being two other goals we hope to complete by the end of 2014.

 DK:Is there anything else you would like to say before we close this interview?

 LB: Just want to say that we are incredibly thankful for everything that’s happened with this band so far and that we hope to see you soon! Thanks for your time!

 Luca Brasi can be found at:



OneRepublic-”Waking Up”

This song is damn near perfect.


Catherine Wheel-”Show Me Mary”

If you have yet to figure out Catherine Wheel is one of my all-time (top-ten) favorite bands, well now you know.


Wu Man: NPR Music Tiny Desk Concert

Easily the best pipa player in the world. Easily.


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