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My new album Cataclysm is out

Hey,

I know I don’t post as much here as I used to but I’ve been busy. One reason is this.

My new album Cataclysm is now available on Bandcamp https://derekkortepeter.bandcamp.com/album/cataclysm

Go get it.🙂

Reviews of Cataclysm:

REVIEW: Derek Kortepeter – Cataclysm (2016)

https://keepsmealive.wordpress.com/2016/09/11/derek-kortepeter-cataclysm/

Album Review: “I’ll Kiss All Fears Out of Your Face” by The Deadnotes

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It’s always great coming into contact with brand new bands. In this case I refer to the Indie – Pop/Punk band The Deadnotes. Hailing from Freiburg, Germany, the band consists of Darius (guitar), Jakob (bass) and Yannic (drums). In their debut record I’ll Kiss All Fears Out Of Your Face, The Deadnotes show a mainstream sound with enough edge to get accepted by more fringe punk communities.

Each song on I’ll Kiss All Fears Out Of Your Face has strong melodies, tight grooves, and enough balance in energy to make the record complete. The instrumentals are powerful and a driving force. There isn’t a lot of overproduction, which allows the organic nature of each instrument to really shine. The vocals are aggressive, scratchy, and also melodic. Sort of like a lot of indie bands you’ll hear on the radio these days in the U.S.

Thematically the album, in the words of the band, “comes straight from the heart and hopefully people can identify with while being in a bad way or are struggling with mental health.” It makes sense when you listen through the entire album, as there is rage as well as a push to survive. You can feel it.

I’ll Kiss All Fears Out Of Your Face will release on October 7th. Get your copy when it drops.

The Deadnotes can be found at:

http://www.thedeadnotesofficial.com

 

Album Review: “Broken Rooms” by mellowtone

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mellowtone is an enigma; just one listen through their music will tell you that. The Swiss band blends trip-hop, ambient, rock, psychedelic, and indie styles to create their sound. Consisting of singer Martina Birbaum, Micro Ackermann (guitar), Matthias Haymoz (bass), Ives Schmidt (piano) and Beat Huber (drums); mellowtone seeks to provide the very sound its name suggests.

On their second record, Broken Rooms, the general flow of the music is consistent with trip-hop and industrial styles, with laid back arrangements that also provide tension when necessary. Birbaum’s vocals fit with the music, simultaneously having a sharp edge and calm delivery. The instrumental arrangements from start to finish on Broken Rooms are dream-like, industrial, calm, and never overpower the listener.

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For some trip-hop and related styles are a niche brand. In the case of mellowtone there is enough variety that listeners of Massive Attack and more mainstream electronic acts like Broods or Lorde would enjoy. To have such an appealing sound is an achievement in itself. I can easily add mellowtone to my new favorite acts, as they do everything right.

mellowtone can be found at:

http://www.mellowtone.ch/

 

E.P. Review: “Santa Monica” by JAY-R.D.

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One of my favorite things about being a Los Angeles native is the music scene. No matter where you turn, chances are there is some awesome new music to discover. Today that applies to the DJ, producer, vocalist, and songwriter JAY-R.D. (real name Jason Domantay). His E.P. Santa Monica is a fantastic example of the diversity that contributes to the music of LA.

This record contains elements of hip-hop, downtempo, ambient, worldbeat, and jazz all mixed into one enticing package. The looping melodic phrases are infectious, and the grooves are arguably the most important part of the record. Each song on Santa Monica converges around the central beat generated by various percussion.

Of all the styles that this record shows influence from, hip-hop is absolutely at the forefront. JAY-R.D. himself  is, according to his bio, ” a product of the ‘Golden Era’ of Hip Hop, when the instrumentals and remixes on the B-Side of a 12 inch record got just as much play as the main track.”

If I could compare this album to any musicians past or present stylistically, I’d have to go with my beloved Thievery Corporation. Just like the music of Rob Garza and Eric Hilton, JAY-R.D. has this knack for creating music that centers you internally. It is really hard to explain, but listen to Thievery Corporation’s track “Sweet Tides.” The emotion that particular song brings out of me was also something I felt with the final track on Santa Monica (“Golden Hour”).

To do that takes a special artist.

Santa Monica can be found at:

https://jay-rd.bandcamp.com/album/santa-monica

 

 

Derek Kortepeter: “We Are A Lie”

First single off of my upcoming record Cataclysm, due in September 2016.
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We are a lie
We are a generation
Without a name
A figment of our
Enemy
A cost
To bear

You hold me down
Break my soul
Force me down
It won’t be the same

Give up
Give in
You can’t run
They’ve got us
Free thought
Is too expensive

You hold me down
Break my soul
Force me down
It won’t be the same

Get out while you
Still can

Album review: “Eternal Horse” by Stafrænn Hákon

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In my time as a music journalist I have had the good fortune of coming into contact with some amazing music from Iceland. One more that I get to add to this growing collection is Stafrænn Hákon. Stafrænn Hákon is the stage name of musician Ólafur Josephsson whose most recent release Eternal Horse caught my attention.

Stafrænn Hákon’s music is described as “Alternative, Rock, Electronica, Ambient, Power-Ambient,” and nowhere is this more apparent than on Eternal Horse. Consisting of musicians Ólafur Josephsson (guitar), Árni Árnason (bass), Lárus Sigurðsson (guitar),
Róbert Már Runólfsson (drums), and Magnús Freyr (vocals & guitar); this record is the perfect definition of balance.

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Eternal Horse has so much going on at once in terms of sound, but it never overwhelms you. You don’t feel the blended styles trying to one-up each other, but rather working as a cohesive unit. From instrumental explorations to vocal compositions, Stafrænn Hákon presents an album that is just enough mainstream and just enough experimental to draw both schools of thought together.

The music on Eternal Horse can energize you, take you away to another world, calm your spirit, and make you think all at once. When I think of what an alternative rock band should sound like, Stafrænn Hákon presents all of the qualities I look for. Listening to Eternal Horse is a must for any alt rock fan.

Honestly it is a must for any music fan.

Stafrænn Hákon can be found at:

http://shakon.bandcamp.com/

Album Review: Aaron Holm “The Boy”

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Aaron Holm is a Seattle-based composer and producer interested in finding the most from the simple. As I listened through his record this is the description that most starkly presented itself. Throughout the looping beats, the various ambient effects that wash over you, and repeating melodic phrases, you realize how committed Aaron is to the ambient ethos.

The ambient composer, and I should know, is about constructing various worlds of sound from the most simple, yet transformative, materials. As The Boy plays, this concept is shown ever so perfectly. You are drawn in to this soundscape and allowed to dream. You are allowed to free your mind and totally immerse yourself in the music.

As Holm’s PR team stated, “Deeply influenced by electronic and ambient pioneers like Jon Hopkins, Roger & Brian Eno and Boards of Canada, his blissed-out compositions make use of abstract field recordings, as well as low, shimmering electronic tones.” Reich and Eno especially stand out to me here, as their approaches to music are followed in so many ways in The Boy.

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Aaron is not afraid, much like Reich, to explore complex topics. The track Catch a Falling Star explores “the story of the father’s love for his child and his heartbreak on hearing of the Sandy Hook elementary school in Newtown.  On the morning of the shooting, Holm’s daughter’s first grade teacher sent out a recording of the children singing ‘Catch A Falling Star.  The recording is heard at the track start.  Aaron says – ‘As I heard the news of the school shooting, first graders were the victims, I pulled to the side of the road and cried.  The voices in this track soothe broken hearts and the loss of innocence and brings the boy full circle from childhood to fatherhood.'”

If you are a lover of ambient music, you really should consider adding The Boy to your collection.

The Boy can be found at:

http://dissolverecords.com/project/the-boy/