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Interview with Valentine KLIPFEL, founder of What Happened To Your Band? PR and Webzine


Hey guys! If you’ve noticed some awesome bands getting reviewed here, they recently have come from a French PR service called “What Happened To Your Band?” The founder and owner is a lovely woman by the name of Valentine KLIPFEL (Klp) and we decided to do a little interview here so you 1) can know more about her PR agency and 2) give you insight as a musician into getting picked up by a PR firm. She’s super cool and I think you’ll enjoy reading this! –Derek


Derek: So can you tell me about What Happened To Your Band? What are the goals of your PR agency and Webzine?

Val: Hi Derek, sure thing. Thanks for having me! What Happened to your Band? is a webzine and PR agency that I created in 2015, after working with many bands (friends) like Mary has a Gun or Time to Fly (French Pop-Punk bands). All these years helping them being more known worldwide just made me want to start my own project. WHTYB started as a webzine and I recently added a PR service to it.

The main goal of the project is to help bands develop their visibility and notoriety, whether they are known or not, through reviews, interviews and news articles in different countries. I really, really, want to create proximity with the bands I am working with by offering them attractive and most importantly, affordable services adapted to their needs!

I also want to maintain a link with these bands, become their friend and travel all around the world to see them live, exchange our knowledge on the music industry… This adventure is clearly give and take!

Derek: What led you to the PR field? Did you formally study it?

Val: Several things are at the origin of this choice. I recently graduated with a Master 2 degree in Marketing and Communication. I’ve been studying both areas for the past 8 years so I guess developing a PR service was sort of obvious…

I also wanted to develop a PR service because it reminded me of the work I was doing for my friends when I was younger. What a great time! Haha. I was literally spending hours, sometimes at night, promoting them and it was awesome. You feel so happy when a media agrees on publishing something about the band you’re working for. The webzine is working really well, but it wasn’t enough for me, and this is why I decided to develop the project further and launch a PR service.

Derek: What is the selection process for who gets on your list of bands for promotion? What can a band do if they want to get in contact with you?

Val: Whether we’re talking about the webzine or the PR service, I don’t really have a process of selection as long as the band fits into the type of music I target (Pop-Punk, Punk-Rock, Alternative…). I love working with bands that are devoted, present on social networks and love sharing news with their fans. If they have nothing to share except a demo, I won’t promote them because there’s nothing to say about it. It’s great when a band has at least three or four songs to listen to.

I am open to any other style of music as long as it’s around Punk and Rock. So even if a band is doing melodic hardcore or whatever, I will still check it out and determine if I can promote it or not through the PR service. One thing is sure: I will be 100% honest with the band if I don’t enjoy their music, because I don’t see why I would promote a band I don’t “like,” it just doesn’t make sense.

I always do my best to satisfy everyone, especially through the webzine. If I’m not a huge fan of the band but still think that they deserve recognition for the work they’ve put into their material, I will write an interview instead of a review, for example.

If a band wants to get in touch with me, he can contact me directly on Facebook: Valentine KLP ; hit me up on WHTYB’s page: What Happened to your Band? or simply email whtyb.webzine[at]gmail[dot]com for the webzine and[at]gmail[dot]com for the PR service ! You guys can find more info on the official website:🙂

Derek: How do you determine what websites are best for the bands you promote? For instance, what drew you to my website?🙂

Val: I spend a lot of time finding new media to contact. I don’t mind if they only have 100 “fans” on their Facebook page, because we all started at the bottom! Maybe one day, these media will be more known and that’s why I think people shouldn’t focus on huge magazines or webzines. You have to try everything!

When I’m looking for new contacts, I focus on the style of music they are featuring and I also check if they are on social networks or not. I also take time to read a few reviews and interviews they have published in order to see what the magazine likes in a band. It sometimes helps me finding a specific writer instead of contacting the general email address of the magazine.

What drew me to your website…! I guess it was the style of your reviews. You are really honest and your opinion, whether it’s positive or not, is always good to take. If I were in a band, I would like to have constructive criticism to help me move forward and improve🙂

Derek: Is What Happened To Your Band something you wish to see expand into a full PR firm, or do you want to keep it in a more DIY setting like you have it now?

Val: Excellent question! I’m working full time in the marketing service of a company, so What Happened to your Band? is currently a side project. I always have my phone on me to reply to my emails, to the bands and partners, I use my free time to write reviews, do interviews… It’s not always easy but I have the satisfaction of knowing that I manage everything all by myself.

I live day by day and the current situation is alright for me… at least, for now. But you know how it is… you always have to aim higher so maybe one day, What Happened to your Band? will expand into a big PR firm and I will add new writers to the project. That’d be great!🙂

Derek: I’m into pretty much every style of punk as a listener and musician, especially since I grew up in Southern California at a time where skate punk was really popular. I notice that pop-punk is the major focus of WHTYB. What is it specifically about that genre that makes you focus on it over other punk styles like ska punk or hardcore punk?

Val: That’s such a hard question! Man, I don’t even know how to explain it. I just grew up listening to bands such as Blink-182, Sum 41, All Time Low and I guess they have really influenced me throughout my whole life. I’m still listening to them nowadays… I just bought Sum 41 and Green Day’s new albums and I can’t wait to receive my package ahah. This is the main reason why I mainly focus on that genre, but I’m not closed to other styles of music. I always take time to listen to all the submissions I receive, even if it’s hardcore. I’m not into this type of music but you can always be surprised… It has already happened!

If your band offers some great Pop-Punk riffs, catchy verses/chorus… you have approximately a 99% chance of being featured on What Happened to your Band?

Derek: As I’ve noticed, you get bands from all different parts of the world working with What Happened To Your Band. Where are you noticing the most activity in terms of the punk scene globally, namely which countries?

Val: Yes, I absolutely love working with bands overseas. It’s just amazing to discover their culture and get to learn more about the pop-punk / punk-rock scene in their country. I’ve been featuring and working with a lot of Italian bands lately (my friends Trash’N’Clean, Jackers, Stereo Age) and I think that this country is awesome. Most of these bands begin to grow and their level is really good. I really hope that I’ll get the opportunity to visit them one day and see what they are offering live because they are the nicest and most devoted people ever. It’s a pleasure to work with them.

It’s actually hard to only mention a few countries, but I would say that the Pop-Punk scene is very present in England (You Know the Drill, River Jumpers…), Australia (Kids in Control, Stansbury…), Italy (Trash’N’Clean, Jackers…), Canada (Story Untold, We Were Sharks…) and the USA (Wayside Story, The Weekend Classic…). But of course, we also have good bands in France that should actually be more known!

Derek: As a native of France, would you say that the punk scene is strong in your country?

Val: We have good Pop-Punk and Punk-Rock bands (Ice Cold Shot, Summer Lake Heroes, Bare Teeth, The Shapers…) unfortunately, the scene is not as developed as in other countries like Italy or England. We have a lack of infrastructure, especially in certain regions. I’d say that the scene is ten times better in Paris or in the South of France. Fortunately, we have a lot of webzines or small and independent radio stations to relay information and that’s great!

I think no matter what country we live in, a band has to cross borders and go play in neighboring countries to increase his awareness. I know that it’s not simple and it requires costs, but a band that does not move to play shows cannot succeed.

Derek: Outside of the groups you represent on WHTYB, who are some of your favorite pop-punk groups right now?

Val: My favorite bands are a mix between the ones I was listening to when I was younger and the new up-and-coming bands that are clearly expanding at the moment.

Right now, I’m really into Sum 41, Story Untold, ROAM, Busted, Yellowcard, Fountains of Wayne and Something Corporate. But I have to admit that I also listen to old rock bands such as Scorpions, Def Leppard, Europe, Rainbow or Kansas…🙂

Derek: Anything else you would like to say before we conclude this interview?

Val: Well, I wanted to thank all the bands I had the pleasure of featuring through the webzine since the beginning of WHTYB, and the bands I had the pleasure of working with through the PR service. I met some incredible people and I don’t intend to stop here!

I am currently working on another side project with my friend Jordan from KROD Records. We plan on launching a physical and digital magazine next year. Jordan has been a great friend for the past few years and I’m really excited about this project. We’re currently working on it with a few other people but things look great and I can’t wait to have a copy of the first issue in my hands!

I also wanted to thank you for featuring the bands I’m submitting, taking time to review their music. It really means a lot to them, and to me. Thank you for taking time to do this interview with me, I really appreciate your support and I look forward to working with you again real soon! x – Val

Album Review: “Future Children Interpret: Composition 1960 #7 for Synthesizer, Sampler & Tape”


As electronic composers, it is often necessary that we look back on the pioneers that made our genre possible. Without a doubt many members of the minimalist movement such as Steve Reich, Terry Riley, and others are precursors to the electronic sounds we hear today. Their experimentation made it possible for artists to bend the boundaries of acceptability in favor of artistry.

One such composer is La Monte Young, a father of minimalism who ambient legend Brian Eno once called “the daddy of us all.” Young’s works in the minimalist and avant-garde spheres of musical expression are vast, but Composition 1960 is a series of works that stand out. The most well-known ‘composition’ in the series is #7. #7, much like a lot of avant-garde music of its day gives open interpretation to the artist much like a jazz composition. In #7 the only restriction is that just two notes, B3 and F#4, be played within the piece.


This leads into our review, as the group Future Children has released their interpretation of this important piece. Future Children consist of Kevin Coral and CC Sheehan and seek to play #7 with their interpretation of “vintage analog and digital synths all recorded and mixed live to analog tape, in the spirit of early electronic musics.”

It absolutely works. The album showcases all of the old techniques that made early electronic musicians like Jarre and others so influential. Future Children breathes new life as well into Composition 1960 #7, as they have their own artistic voice within the well-traveled musical landscape of minimalism. The synths (Analog Roland, Arp and Moog, as well as digital EMU Emax sampler and Yamaha DX-7) are gorgeous and I have no doubt La Monte Young would be proud of his work being played in this manner.

The album Future Children Interpret: Composition 1960 #7 for Synthesizer, Sampler & Tape is being released on a limited basis for Cassette Store Day (which is today, October 8th 2016)  and I highly recommend you give it a try.

Areas where you can find the cassettes are at

Future Children can be found at



Album Review: “People Are Alike All Over” by Space Monkey Death Sequence


I really love music that is bold, different, and ultimately driven to stand out amongst the static. When an album called People Are Alike All Over popped up in my email from Dominic Francisco (stage name Space Monkey Death Sequence), I knew I had to give it a try. The reason?

It was influenced by the Twilight Zone, and it was touted as an experimental record.

The Twilight Zone is without a doubt one of my all-time favorite television shows, and for an album to integrate it into music intelligently is very attractive for me. People Are Alike All Over uses samples from the show, but as only one component to incredibly diverse sound collages. From the ambient, to IDM, to trip-hop and beyond, this record never lets you stay in one place for too long. The amount of effort put into People Are Alike All Over is truly something to behold.

Dominic Francisco talks about his record as a manifestation of his 12 year old self watching the “People Are Alike All Over” episode of the Twilight Zone. As he says “a short, sinister journey to Mars played odyssey in my adolescent mind. As corny as it sounds, I really felt like I was in The Twilight Zone… I knew exactly what I wanted to do with it: tell the story of “People Are Alike All Over”, but through the lens of my first my twelve-year-old self. I wanted to capture the feeling of that summer night with this album, and I believe I have succeeded in doing that.”

You did Dominic, you absolutely did. And even more than that, as we get to go into an alternate reality through this Space Monkey Death Sequence record. It really is something special. Maybe I’m biased as a lover of electronic music, experimental music, and the Twilight Zone… but I don’t think I’m alone in feeling this way.

Take the journey and support the music at

My new album Cataclysm is out


I know I don’t post as much here as I used to but I’ve been busy. One reason is this.

My new album Cataclysm is now available on Bandcamp

Go get it.🙂

Reviews of Cataclysm:

REVIEW: Derek Kortepeter – Cataclysm (2016)

Album Review: “I’ll Kiss All Fears Out of Your Face” by The Deadnotes


It’s always great coming into contact with brand new bands. In this case I refer to the Indie – Pop/Punk band The Deadnotes. Hailing from Freiburg, Germany, the band consists of Darius (guitar), Jakob (bass) and Yannic (drums). In their debut record I’ll Kiss All Fears Out Of Your Face, The Deadnotes show a mainstream sound with enough edge to get accepted by more fringe punk communities.

Each song on I’ll Kiss All Fears Out Of Your Face has strong melodies, tight grooves, and enough balance in energy to make the record complete. The instrumentals are powerful and a driving force. There isn’t a lot of overproduction, which allows the organic nature of each instrument to really shine. The vocals are aggressive, scratchy, and also melodic. Sort of like a lot of indie bands you’ll hear on the radio these days in the U.S.

Thematically the album, in the words of the band, “comes straight from the heart and hopefully people can identify with while being in a bad way or are struggling with mental health.” It makes sense when you listen through the entire album, as there is rage as well as a push to survive. You can feel it.

I’ll Kiss All Fears Out Of Your Face will release on October 7th. Get your copy when it drops.

The Deadnotes can be found at:


Album Review: “Broken Rooms” by mellowtone


mellowtone is an enigma; just one listen through their music will tell you that. The Swiss band blends trip-hop, ambient, rock, psychedelic, and indie styles to create their sound. Consisting of singer Martina Birbaum, Micro Ackermann (guitar), Matthias Haymoz (bass), Ives Schmidt (piano) and Beat Huber (drums); mellowtone seeks to provide the very sound its name suggests.

On their second record, Broken Rooms, the general flow of the music is consistent with trip-hop and industrial styles, with laid back arrangements that also provide tension when necessary. Birbaum’s vocals fit with the music, simultaneously having a sharp edge and calm delivery. The instrumental arrangements from start to finish on Broken Rooms are dream-like, industrial, calm, and never overpower the listener.


For some trip-hop and related styles are a niche brand. In the case of mellowtone there is enough variety that listeners of Massive Attack and more mainstream electronic acts like Broods or Lorde would enjoy. To have such an appealing sound is an achievement in itself. I can easily add mellowtone to my new favorite acts, as they do everything right.

mellowtone can be found at:


E.P. Review: “Santa Monica” by JAY-R.D.


One of my favorite things about being a Los Angeles native is the music scene. No matter where you turn, chances are there is some awesome new music to discover. Today that applies to the DJ, producer, vocalist, and songwriter JAY-R.D. (real name Jason Domantay). His E.P. Santa Monica is a fantastic example of the diversity that contributes to the music of LA.

This record contains elements of hip-hop, downtempo, ambient, worldbeat, and jazz all mixed into one enticing package. The looping melodic phrases are infectious, and the grooves are arguably the most important part of the record. Each song on Santa Monica converges around the central beat generated by various percussion.

Of all the styles that this record shows influence from, hip-hop is absolutely at the forefront. JAY-R.D. himself  is, according to his bio, ” a product of the ‘Golden Era’ of Hip Hop, when the instrumentals and remixes on the B-Side of a 12 inch record got just as much play as the main track.”

If I could compare this album to any musicians past or present stylistically, I’d have to go with my beloved Thievery Corporation. Just like the music of Rob Garza and Eric Hilton, JAY-R.D. has this knack for creating music that centers you internally. It is really hard to explain, but listen to Thievery Corporation’s track “Sweet Tides.” The emotion that particular song brings out of me was also something I felt with the final track on Santa Monica (“Golden Hour”).

To do that takes a special artist.

Santa Monica can be found at: