The Oakland-based group The Pleasure Routine aren’t out to re-invent the wheel. As they state themselves, they are “a throwback to decades past, when bands meticulously crafted vintage tones and timbres, capturing their moody and dreamy sonic landscapes on analog tape.”
What shows in The Pleasure Routine’s music is a nod to past eras, but also an understanding of their own modern sound. Their debut LP Sugar Mountain is a wonderful blend of art rock, blues, and a California flair that shimmers on each track. This record is the kind of record that you play while driving down the PCH in an old Camaro with your best friends.
The topics range from coming-of-age to disillusionment, but throughout there is this undertone of optimism amongst the melancholy. The bright, clean sound of Sugar Mountain plays a major part in this. The band gels together in a way that you know they get each other as musicians.
When Sugar Mountain releases on 7/1/2016, I suggest you give it a try. It might bring out some nostalgia in you, especially if love bands like The Velvet Underground and The Stooges.
The Pleasure Routine can be found at:
Music is able to bring out countless emotions from you. That is probably why, more than anything, we are all drawn to it. Music is also able to bring you out of yourself and into an entirely different world.
Mount Fuji and the Galaxy’s record Everything is Beautiful really is an embodiment of these concepts. The Salisbury, Maryland act band describes themselves as “acid-folk, dream-pop, and psychedelic-ambient.” The album itself is supposed to represent a situation in which “the narrator’s life passes before his eyes as he is abducted by aliens one night in a hotel in the middle of a road trip.”
The concept behind the record actually works. You feel the intense isolation and panicked thoughts coming through the entire record. The experimental sound is absolutely gorgeous and packed with various effects along with the vocals, guitars, keys, and percussion.
In so many ways this record reminds me of Neutral Milk Hotel or other folk-ish bands that aren’t afraid to step outside their genre. One critique some may level at the album is the slightly mumbling vocals, but as an avid listener of Radiohead this doesn’t bother me. I think of the vocals as another instrument in the mix as opposed to some music where the vox are in the forefront.
Everything is Beautiful gives you beauty you can relate to, but it also throws a ton of dissonance your way to stretch your perception of beauty. It’s a fascinating ride and I recommend you head to the Bandcamp link below and check this record out.
Everything is Beautiful by Mount Fuji and the Galaxy can be found at:
When you look at current music that fuses electronica and rock sounds, you typically get a bunch of indie hipster nonsense. The music doesn’t have any bite to it, and more importantly, it is derivative of everything in its genre.
But wait, there’s actually good stuff out there.
Enter KLOQ. These guys have gotten a ton of press from my site because they deserve to be huge. With their newest LP Behind the Screams, the band has pushed their sound even further. This is not to say that the aggressive “punktronica” is no longer present. The LP just simply features a greater expansion on KLOQ’s core style. Most noticeable are the incredible melodic hooks in the choruses. The songs are infectious in a way that I have not seen from this band.
Present in Behind the Screams is also a shift in lyrical focus. There is a more obvious sociopolitical viewpoint. It is clear that the band have something to say about the state of our world, and it comes across as passionate rather than preachy. Just look at the album’s cover and you will notice that Behind the Screams is clearly a progression in the overall message of the band.
Between the infectious grooves and hooks, it really is a pleasure for me as a music journalist to recommend this record to you. There is so much nonsense on the radio nowadays that the talented artists sometimes get lost in the static.
KLOQ is a band that should never be lost in that static.
Behind the Screams releases on Friday 6/10/16. Follow KLOQ at:
The interesting thing about the electronic genre is that you find all types of styles. Some people are gunning for the charts, while others are all about pushing boundaries. Baltimore based artist lafflines (aka Alex Lippert) falls more into the latter category.
In his debut album “Arrest in Acquiesce,” there is what I would call a “sonic collision” of sorts. There is dissonance and consonance, melody and atmosphere; and all of this is a good thing.
The record experiments with beats, loops, and various samples to make a sonic experience. I wouldn’t really call these songs, that is far too simple. What is going on here is an experiment with sound that challenges the listener. You hear stylistic echoes of artists like Aphex Twin, John Cage, and Philip Glass; but ultimately you hear lafflines.
In the artist’s own words:
“I try to record…in an effort to stumble upon accidents and something that’s outside of my expectations…to discover and find something new. Many of my samples vary from elevator music, African disco/tribal music, religious choir recordings and classical pieces.”
If you are looking for a challenge where you are encouraged to engage in your listening experience; I recommend giving “Arrest in Acquiesce” a try.
“Arrest in Acquiesce” by lafflines can be found at: