The way the French electronic artist NHOVA describes their music gives great insight into your eventual listening experience. “Halfway between electro-mystical and delicate atmospheres” with trip-hop, industrial and ambient music shown as prominent influences gives a clear representation of their self-titled record.
The synths are dark, brooding, and also soaring with melody. Each track is meticulously constructed with peaks and valleys that bring you a multi-faceted listening experience. Overall NHOVA isn’t just good music, it is an invitation to explore your own mind as you listen. The range of emotions you feel can be existential dread to wonder, and all are valid responses during the time this record plays. You will never experience the same feeling or though twice when listening to this album, and that is a great achievement.
All in all, any fan of complex electronic music should give this a try.
NHOVA can be found at https://nhovaworld.bandcamp.com/album/nhova
As a musician I have always felt that the best music just happens. You train your mind to be one with your instrument and its capabilities, then throw it into improvisational situations. Music that is improvisation based takes many forms, and the record Inner by Nunun is one of them.
Nunun is a project consisting of Italian musicians Cesare Discepol (guitar, effects) and Massimo Discepoli (drums). It is deemed to be an album of introspection, experimentation, and as alluded to before, improvisation. The musicianship of Cesare and Massimo cannot be overstated. They understand their craft down to its most minute details.
What really shines here, however, is the compositional acheivements of the group. You are brought to realms of profound groove, ambience, and beauty that flow seamlessly from start to finish on this record. I feel like this album is an intersection of the free jazz philosophy of Ornette Coleman and the grandiose (yet inward-looking) nature of the David Gilmour-led Pink Floyd era.
When Inner releases on March 15th, I suggest you head over to https://acustronica.bandcamp.com/ and pick up a copy for yourself.
Ambient music comes in many flavors, but it is often most associated with a pleasurable dream-like state. I love this type of ambient as much as anyone, but I also love when people explore the darker potential that this music has.
Enter Iranian composer Mehdi Mahmoudabadi and his EP Time is Addictive. In this record, we see the looping minimalism that ambient music is well-known for, but there is a massive twist. The tones, samples, instruments, vocals, melodies, rhythms, and harmonies all give off an experimental and dark vibe.
Try to imagine Trent Reznor in his Downward Spiral period making a record with Brian Eno and you get an idea what this record sounds like. The fact that Mehdi is so young (20 years old) and able to make music that has this much unique character is a real testament to his talent.
Time is Addictive can be found at https://itunes.apple.com/us/album/time-is-addictive-ep/id1174937966
One of the greatest sources for inspiration among ambient composers is space. The vast, ever-expanding nature of our Universe is a brilliant jumping-off point for countless pieces that explore our own “galaxy” of imagination.
This is evident in Robert Scott Thompson’s record Pale Blue Dot. With each track evoking space travel in name (like “Perigee,” “Apogee,” and the more obvious “Slow Rotation of Stars”) and sound, it is only natural to imagine oneself in orbit while listening.
The music is haunting, beautiful, and meticulously put together in such a way that you feel a complex set of emotions continuously. Some ambient music is meant to lull you into a trance, but Pale Blue Dot is constantly changing the tonal script, never allowing you to put the music into the background.
As a trained music academic and celebrated modern composer of the experimental; this record only further adds to Robert Scott Thompson’s innovative reputation. The self-described “musical alchemist” does not disappoint.
Pale Blue Dot can be found at https://robert-scott-thompson.bandcamp.com/album/pale-blue-dot
The greatest gift that starting this blog/webzine has given me is the vast number of new artists I get to hear. I consider myself lucky whenever a new album comes in my business email, but when a compilation of numerous artists pops up it is even better.
In this case I refer to Oneiric Escapism Vol. 3 by the UK project A Lonely Ghost Burning. On this compilation you are introduced to “atmospheric, vocally-inclined, electronic and experimental music” from all over the world. Such countries include Canada, Guatemala, Iceland, Japan, South Africa, Spain, Sweden, UK and USA.
Every track, twelve in total, is a brilliant introduction to countless musicians that are on the cutting edge of innovation in their genre. The way the songs can haunt you with their beauty is something to behold. I truly believe in this project and highly recommend Oneiric Escapism Vol. 3 for a new listening experience.
Oneiric Escapism Vol. 3 can be found at https://alonelyghostburning.bandcamp.com/album/oneiric-escapism-vol-3
The best kind of music these days is music that defies convention. It’s music that is bold, fresh, and ultimately brave. This bravery can be displayed in numerous forms, but first and foremost the sound must be the focus. In my mind, the bravest music is that which is unable to be boxed into a single genre.
This music is exactly what I find when I listen to An Eclipse of Images. A cooperative project between Italian percussionist Massimo Discepoli and American experimental double-bassist/composer Daniel Barbiero, the record seeks to present musical “ hybrids meticulously built up of acoustic and electronic elements both composed and improvised.”
It does just that. The brilliant interaction between the double-bass, percussion, and electronic synth sounds create an experience that constantly leaves you in different musical worlds. You hear jazz, avant-garde classical, ambient and so much more within this record that each listen brings a new perspective.
It is a truly wondrous thing.
An Eclipse of Images can be found at http://www.acustronica.com/an-eclipse-of-images.html
Ambition is sometimes what drives composers insane. Sometimes we get such grandiose ideas that, when we put it together, it turns out to be too great to materialize. Other times, however, these “big” ideas become a large, continuous conceptual work of art. It is the latter that Sunrise Square falls into.
01-09 are, as indicated, nine separate collections of songs (in various numeric groupings) that form one ultimate compilation. It is an extremely vast work but absolutely worth going through as a music reviewer. Sunrise Square’s music is described by the Connecticut-based composer as:
“‘impressionist dance music’ influenced by Wolfgang Voigt, Detroit techno and Hiroki
Azuma’s interpretation of ‘otaku culture’.”
What occurs, to my own ears, is a mixture of ambient, house, and other electronic styles that manages to give off a calm, dance-able musical experience. You can either engage or tune out, and the music accepts either direction.
The three years that Sunrise Square took to make this music was time well spent. I think that there is something for every electronic music fan in this compilation.
Sunrise Square 01-09 can be found at: