The way the French electronic artist NHOVA describes their music gives great insight into your eventual listening experience. “Halfway between electro-mystical and delicate atmospheres” with trip-hop, industrial and ambient music shown as prominent influences gives a clear representation of their self-titled record.
The synths are dark, brooding, and also soaring with melody. Each track is meticulously constructed with peaks and valleys that bring you a multi-faceted listening experience. Overall NHOVA isn’t just good music, it is an invitation to explore your own mind as you listen. The range of emotions you feel can be existential dread to wonder, and all are valid responses during the time this record plays. You will never experience the same feeling or though twice when listening to this album, and that is a great achievement.
All in all, any fan of complex electronic music should give this a try.
NHOVA can be found at https://nhovaworld.bandcamp.com/album/nhova
COC aka City of Colors is a Polish experimental music project based out of Warsaw. Their newest release, Circumgyration, showed up in my email as a submission and I’m really glad that it did. The record explores various spheres of sonic expression. There are synths, samples reminiscent of early Steve Reich, glitch style beats, noise samples that give it a John Cage feel and melodies that interlock to create really beautiful parts. It is a very experimental record, but I think that even the more mainstream listener can enjoy aspects of Circumgyration.
If you like glich or ambient music, click on the Soundcloud link above to experience Circumgyration for yourself.
Ambient music comes in many flavors, but it is often most associated with a pleasurable dream-like state. I love this type of ambient as much as anyone, but I also love when people explore the darker potential that this music has.
Enter Iranian composer Mehdi Mahmoudabadi and his EP Time is Addictive. In this record, we see the looping minimalism that ambient music is well-known for, but there is a massive twist. The tones, samples, instruments, vocals, melodies, rhythms, and harmonies all give off an experimental and dark vibe.
Try to imagine Trent Reznor in his Downward Spiral period making a record with Brian Eno and you get an idea what this record sounds like. The fact that Mehdi is so young (20 years old) and able to make music that has this much unique character is a real testament to his talent.
Time is Addictive can be found at https://itunes.apple.com/us/album/time-is-addictive-ep/id1174937966
One of the greatest sources for inspiration among ambient composers is space. The vast, ever-expanding nature of our Universe is a brilliant jumping-off point for countless pieces that explore our own “galaxy” of imagination.
This is evident in Robert Scott Thompson’s record Pale Blue Dot. With each track evoking space travel in name (like “Perigee,” “Apogee,” and the more obvious “Slow Rotation of Stars”) and sound, it is only natural to imagine oneself in orbit while listening.
The music is haunting, beautiful, and meticulously put together in such a way that you feel a complex set of emotions continuously. Some ambient music is meant to lull you into a trance, but Pale Blue Dot is constantly changing the tonal script, never allowing you to put the music into the background.
As a trained music academic and celebrated modern composer of the experimental; this record only further adds to Robert Scott Thompson’s innovative reputation. The self-described “musical alchemist” does not disappoint.
Pale Blue Dot can be found at https://robert-scott-thompson.bandcamp.com/album/pale-blue-dot
The greatest gift that starting this blog/webzine has given me is the vast number of new artists I get to hear. I consider myself lucky whenever a new album comes in my business email, but when a compilation of numerous artists pops up it is even better.
In this case I refer to Oneiric Escapism Vol. 3 by the UK project A Lonely Ghost Burning. On this compilation you are introduced to “atmospheric, vocally-inclined, electronic and experimental music” from all over the world. Such countries include Canada, Guatemala, Iceland, Japan, South Africa, Spain, Sweden, UK and USA.
Every track, twelve in total, is a brilliant introduction to countless musicians that are on the cutting edge of innovation in their genre. The way the songs can haunt you with their beauty is something to behold. I truly believe in this project and highly recommend Oneiric Escapism Vol. 3 for a new listening experience.
Oneiric Escapism Vol. 3 can be found at https://alonelyghostburning.bandcamp.com/album/oneiric-escapism-vol-3
“A path of verbed-out jazz, metallic ambience and grinding electro-acoustics.”
These are the descriptors given to those approaching Mondo Flockhard’s second, self-titled, record. Without a doubt words can only do so much justice to music, and in many ways these aforementioned descriptors give just half the picture.
This project by Melbourne-based drummer Maria Moles is an exercise in atmospheric experimentation and complex rhythms. Without a doubt the record is an exercise for the listener, but if the listener fully engages they will be rewarded.
Go in with an open mind, I promise you’ll be delighted.
Mondo Flockhard can be found at https://tonelist.bandcamp.com/album/mondo-flockard
When an artist has a clear vision for their work, it is imperative that they follow through with it. aoi, a composer/musician/producer from Montreal, is an example of this actually happening. With his debut EP, entitled 1(EP), aoi (real name Keven Brien) has established that he wants the listener to experience:
“A voyage through lands where the organic and synthetic evolved in symbiosis, when the past and future coexist simultaneously.”
I can testify after listening to this record that this symbiosis occurs beautifully, as numerous genres and eras coalesce to form the final product. You hear echoes of Brian Eno, Pat Metheny, Jan Hammer, Jean-Michel Jarre, and Allan Holdsworth in this record.
1(EP) is ambient, driven, and emotionally complex. Above all else it is experimental in a way that comes across as genuine, rather than pretentious (a problem that sometimes plagues the genre). Don’t let the “experimental” label scare you away if that isn’t your thing, as I truly believe there is enough for the mainstream listener here as well.
In accomplishing his vision for 1(EP), aoi has made an ambitious and beautiful debut record. It is truly something I recommend you give a try.
1(EP) by aoi can be found at https://ao-i.bandcamp.com/