When you look at current music that fuses electronica and rock sounds, you typically get a bunch of indie hipster nonsense. The music doesn’t have any bite to it, and more importantly, it is derivative of everything in its genre.
But wait, there’s actually good stuff out there.
Enter KLOQ. These guys have gotten a ton of press from my site because they deserve to be huge. With their newest LP Behind the Screams, the band has pushed their sound even further. This is not to say that the aggressive “punktronica” is no longer present. The LP just simply features a greater expansion on KLOQ’s core style. Most noticeable are the incredible melodic hooks in the choruses. The songs are infectious in a way that I have not seen from this band.
Present in Behind the Screams is also a shift in lyrical focus. There is a more obvious sociopolitical viewpoint. It is clear that the band have something to say about the state of our world, and it comes across as passionate rather than preachy. Just look at the album’s cover and you will notice that Behind the Screams is clearly a progression in the overall message of the band.
Between the infectious grooves and hooks, it really is a pleasure for me as a music journalist to recommend this record to you. There is so much nonsense on the radio nowadays that the talented artists sometimes get lost in the static.
KLOQ is a band that should never be lost in that static.
Behind the Screams releases on Friday 6/10/16. Follow KLOQ at:
You may remember the UK electro-rock band KLOQ from my interview with them a while back. I was given exclusive access to their upcoming EP called The Gun which drops a few weeks from now. From start to finish The Gun EP is a blast of aggressive and grooving electronica infused rock. The synths of Oz Morsley wash over you as the rest of the instruments pull you into a chaotic world that you don’t want to leave. Dean Goodwin’s lyrics and vocal melodies hook you from the start, Alex Baker‘s (who has now been replaced by Ben Woolf) drum beats punch you in the gut with their sheer force, and Tim Jackson‘s bass lines flow through the songs like the thread holding the whole thing together.
KLOQ describes their sound as “Punktronica.” This label really makes sense in light of my listening through The Gun EP as there is this primal force contained within this record that is just as alive and unbridled as a punk show. This is no ordinary punk rock experience, however, as it is a trip into dystopia and a psychotic dream-state that becomes almost like a drug you need.
If you want to take a break from all the niceties that infects today’s synth-rock scene (indie or otherwise), I suggest you give KLOQ’s new record a try. The Gun EP is coming soon (free limited time download on August 28 and official release on September 26), you should get it and experience it for yourself when it releases.