I like my punk rock aggressive, fast, and melodic. A lot of this has to do with where I grew up. In Southern California, a lot of the punk bands played music much like what I described. There was aggression and speed, but there was also a strong focus on melody. Pennywise, Bad Religion, and The Descendants were great examples of this.
I mention all of this because France’s Bare Teeth reminds me of these groups with their newest release First the Town, Then the World. Throughout the record you have pounding drums and bass, strong melodic lines with multi-part harmonies, and fantastic guitar lines. The album from start to finish is heavy, with some screaming that reminds me of early Thrice back in their post-punk days (especially their record Identity Crisis).
For a band from France to bring me back to the golden era of SoCal punk, whether or not that was their intention, is truly something special. I loved every second of listening to First the Town, Then the World, and when it drops on May 19, I think you will too.
Anybody that stupidly declares “PUNK IS DEAD” is clearly ignorant of Round Eye. This rag-tag band of misfits who are currently ex-pats living in Shanghai make some of the most avant-garde, subversive, aggressive, and incendiary punk out there. Making history or making enemies (both of which they have done in spades), Round Eye is a fearless example of pure artistic expression.
Their newest release Monster Vision is a psychedelic freak-out punk fest that drips with political commentary and just an overall satire of just how insane our society is. Some of the last recordings of legendary Stooges saxophonist Steve Mackay can be found on this record. His sax is a massive force that drives the band’s unique punk sound into the stratosphere.
Whether the band is making the first ever punk music video in the DPRK or pissing all over the concept of Trump’s America, Round Eye’s Monster Vision is punkest shit I’ve heard in a while.
Get Monster Vision at https://roundeyeband.bandcamp.com
What is so great these days about punk rock is that it is a global phenomenon. Every part of the world is producing all different types of punk music and this is so encouraging. Enter Trash’N’Clean, a punk band that hails from Milan, Italy.
Comprised of Fabio – Vocals, Danny – Lead Guitar, Mark – Rhythm Guitar, Marchino – Bass & Backing Vocals, Mario (The Horseman) – Drums; this group is carrying the torch of making great punk for a new generation. Their newest EP, Wetness Delivery, is a catchy and strong showing from this band.
The guitar riffs are heavy and melodic, the drums are crisp and powerful, the bass lines are driving, and the vocals are harmonious and infectious. As a guy that grew up in Southern California, I hear a great deal of influence of SoCal punk like Yellowcard, NOFX, Pennywise, early Thrice, and Bad Religion in Trash’N’Clean’s sound. Hearing the Wetness Delivery EP gave me such a surge of nostalgia and joy. I was in love with this band’s music in a couple of minutes.
The only shame about this EP is that it is rather short (clocking in at only three songs), but at the same time maybe don’t mess with perfection? There is enough here to know what the band is about, and also to be left wanting more.
Give this band a chance if you love melodic punk, you won’t regret it.
Trash’N’Clean can be found at:
Round Eye’s music is bonkers. I mean that in the best possible way. The self-described “experimental freak punk” group makes music that constantly pushes and questions what music can become.
In their self-titled LP you will hear the intersection of what sounds like Ornette Coleman, The Stooges, Circle Jerks, and Frank Zappa having a party and jam session simultaneously. Round Eye is a sonic exploration of what happens when you free music of its genre definitions and throw it into a chaotic display of artistry.
The record is loud, melodic, dissonant, fast, complex, and full of life at every turn. The uninitiated to the worlds of punk, doo-wop and free jazz may not get what’s going on, but that is just fine. It seems that no matter where the band goes they gain a following.
A group of expats based in Shanghai, China, Round Eye (a purposely self-deprecating name) has earned the love of locals in mainland China (numerous local Chinese musicians perform on the LP). They have also managed to earn the ire of the government as they have had to tour at times “underground where they held the secret gigs in bomb shelters around the country” due to their stage antics and more. The controversy has come at a benefit to the group, however, as the Ministry of Culture couldn’t shut down the punk spirit. The group is “a crucial force in bridging a wide gap between the eastern and western hemispheres of punk rock.” As a punk musician and “punk scholar” this is such a welcome thing for me to hear (because in the end fuck politics when we have rock n’ roll right?).
Ultimately there really isn’t anything like Round Eye. In the punk world they are pioneers of sorts, forging new ground for a sound of rebellion and camaraderie. Punk never dies and these dudes know that.
Give this band a try, you’re in for one hell of a ride.
Round Eye by Round Eye can be found at:
You may remember the UK electro-rock band KLOQ from my interview with them a while back. I was given exclusive access to their upcoming EP called The Gun which drops a few weeks from now. From start to finish The Gun EP is a blast of aggressive and grooving electronica infused rock. The synths of Oz Morsley wash over you as the rest of the instruments pull you into a chaotic world that you don’t want to leave. Dean Goodwin’s lyrics and vocal melodies hook you from the start, Alex Baker‘s (who has now been replaced by Ben Woolf) drum beats punch you in the gut with their sheer force, and Tim Jackson‘s bass lines flow through the songs like the thread holding the whole thing together.
KLOQ describes their sound as “Punktronica.” This label really makes sense in light of my listening through The Gun EP as there is this primal force contained within this record that is just as alive and unbridled as a punk show. This is no ordinary punk rock experience, however, as it is a trip into dystopia and a psychotic dream-state that becomes almost like a drug you need.
If you want to take a break from all the niceties that infects today’s synth-rock scene (indie or otherwise), I suggest you give KLOQ’s new record a try. The Gun EP is coming soon (free limited time download on August 28 and official release on September 26), you should get it and experience it for yourself when it releases.
(Hey everyone! Here is a great interview I did with the Albany rock group The Hard Soul. We talked music and stuff…duh. They are pretty chill dudes and I think you’ll enjoy the conversation)
Derek: So tell me how you guys got started as a band?
Johnny: It was the fall of 2011, and I had taken some time off from performing following the break-up of a previous band I was in for a number of years touring around the northeast. I started reconnecting with acoustic guitar after casting it aside during my teenage years in favor of power chords and heavy metal. At first I started with the open mic and coffee shop circuit road testing the songs I had been writing, and eventually I ended up making some demos of how I wanted them to sound in a full-band setting. It was always my goal to form a new band, not just play solo. From there I went into the studio and tracked the first 5 songs on my own that ended up on our first EP ‘Love Eats the Young’. After that I wrangled up some guys who wanted to play and we just went from there. The rest, as they say, is history.
Nick: I had been playing guitar by myself for about 5 1/2 years. Tabs from Black Sabbath, Dio, Iron Maiden etc. One day I was in my room playing and thought I was good enough to try to play in front of an audience. Cue Hard Soul craigslist ad (laughs). I responded to Johnny’s ad in November of 2012, did two auditions, and have been in the band ever since. It was a different line-up back then but I remember feeling happy as a clam because each person was an awesome individual. Very nice, patient, and supportive. I learned a lot from them.
Ryan: I met Hard Soul back in 2013 when my previous band, Neversink, opened up for them at their Seize the Year vinyl release show. Soon after, Neversink had decided to move to Boston but I was going to be staying in Albany. The night of my last show with Neversink, I ran into John and Nick who told me they were looking for a full time bassist. I auditioned with them a few days later and have been playing with Hard Soul since.
Mark: I joined on the Seize the Year tour in 2013, and kept going.
Steve: I just recently joined the band officially. Johnny started the project before I met him and it grew to what it was before I joined. I filled in for a bunch of shows when needed. It eventually just made sense for me to join.
Derek: How did you develop your sound and figure out what styles of music you wanted to emulate?
Johnny: I come from a diverse background musically; the radio or stereo was always on when I was a little kid. I grew up on classic rock, and that music is imprinted on my DNA. But I didn’t really figure out who I was as a songwriter until this band, to be honest. In the past it was these speed metal sociopolitical anthems that I wanted to shove down people’s throats at full volume. But once I found my own voice rather than trying to emulate someone else’s. I really began to feel comfortable enough to write more personal and nuanced music that meant more to me.
Nick: I just play what Johnny writes and enjoy the heck out of doing it (laughs). I am still searching for a tone that I like and have been experimenting a little with strings, guitars, amps, pedals etc. I want to emulate 80’s metal/hard rock a la Iron Maiden, Dio, Black Sabbath.
Ryan: I think as a band we develop our own sound based on our influences. We come from different musical backgrounds and I think that shines through in the music we make. Personally, I grew up playing a lot of pop punk and you can see that influence on songs like This Is Blood. At the same time, we all have an appreciation for classic rock, pop, and metal. I think that gives us the ability to perform songs in a lot of different styles.
Steve: As a later addition to the band, the sound was pretty much established already. It’s part of what drew me to be in the band. It was easy to fit in with this style, though. It’s great and fun!
Derek: What first brought you to music? Was it a series of events or one really specific moment?
Nick: I’ve always been a fan of music, as early as 3rd grade when I played the flute. I played that for 5 years before picking up bass guitar in high school. I picked up electric guitar to impress a girl I was dating at the time. My parents introduced me to Deep Purple, Rainbow, and The Doors at a young age and my judo coach Jason is a rock encyclopedia. Those three influences helped mold my tastes.
Johnny: Like I said earlier, I was surrounded by music as a child. But like Nick, it was my attempt at impressing a girl that led me to get my first guitar (a black and white Mexican-made Stratocaster, for those who are keeping score). However, I think it was the moment when I first connected a band and their songs together. That band was The Beatles, and they really made me realize how powerful and magical music could be. I would spend hours laying in bed with headphones over my ears getting lost in their music, and it’s where I learned what melody and harmony really was.
Ryan: I’ve was always really into music as kid. My friends and I would always dissect our favorite bands, trying to learn as much about them as we could. I didn’t get into playing music until I was probably 15 or so. My brother came home with a Silvertone Starter Kit one day so when he wasn’t playing it, I would pick it up and try it out. I started out with online tabs for songs I liked and, by my senior year of high school, I was jamming around with some buddies.
Mark: Feeling how inspirational music was in life, it only felt right to produce it rather than sit back.
Steve: A lot of my family is musical so I gravitated toward music that way, probably. My dad taught me how to play guitar.
Derek: Who do you consider to be influences for you musically?
Johnny: With age comes a more discerning, and some could argue more open and receptive, ear. My three favorite bands are Thin Lizzy, Oasis, and The Beatles. So from a songwriting perspective I’m talking Phil Lynott, Noel Gallagher and the Lennon/McCartney duo. Top notch songwriters all around, and I hope to achieve what they have in their careers one day. However, my early years were a lot of music that skewed heavier, like Megadeth, Metallica, Sepultura, Anthrax, Slayer, ect. So it’s a bit of a mix.
Nick: I’ve always been a fan of Toni Iommi. I respect how he’s overcome many complications (including the early loss of the tips of his two fingers) to become who he is today. I see many parallels with his music career and my pursuit toward the Olympics for judo. Adrian Smith, Dave Murray, and Janick Gers from Iron Maiden are also major influences
Ryan: Queens of the Stone Age and The Who are my two major influences. There is no better bassist than John Entwistle.
Mark: Neil Peart, Danny Carry, Chad Smith, and Lars Ulrich.
Steve: Personally my father would be closest. He taught me guitar as mentioned above. Also, while growing up he was in numerous bands and I attended many rehearsals and gigs, not to mention all the guitar playing he did around the house! My high school music teachers (Terry Bradway and Joseph Bonville) are also big influences on my music interests in general. Dave Matthews Band is also a big influence on my playing. When I started my heavy playing it was mostly acoustic. Might seem like a strange mix for this band, but it works!
Derek: Let’s talk about your EP Fairer Shores which I love. You funded the album’s recording/distribution and supporting tour via Kickstarter. What made you use crowdfunding, and what do you credit with giving you the ability to raise all the necessary funds?
Johnny: Persistence and planning. We set a goal and had all intentions of hitting it. That, and the incredible support we had from our fans. Without them we are nothing. Crowdfunding is a perfect example of a new way forward for bands who don’t have the luxury of label support. We can’t be more grateful for the help we got from everyone who pledged to make our EP and tour a reality.
Nick: Consistency, Consistency, Consistency…Getting to 100% of our funding goal was a night and day 24/7 task. Emails, twitter, Facebook, Instagram, text messages, phone calls, video uploads were all used to help raise that money. I learned a lot during that month. Fortunately Johnny had previous experience with fundraising (the band had a successful Kickstarter back in 2013), so with his input (and the rest of the band’s as well) the project didn’t crash and burn “Top Gun” style like so many other crowd-funding projects do.
Ryan: The five of us decided to use Kickstarter because we were planning some pretty ambitious touring to support Fairer Shores as well as release the EP on vinyl. Both of these things take some serious cash to get done and it would be tough to shoulder the expenses completely on our own. The support from our fans was overwhelming. It goes without saying that the Kickstarter would have been nothing without everyone’s help.
Mark: Nowadays people do not have the cash to fund production and distribution.
Steve: It gets expensive to “do it yourself” record, produce, press, and tour as a band. Hard Soul had done another successful Kickstarter in the past and (at the time) with the upcoming plans of EP recording, pressing to vinyl, and the tour it made sense to give another one a shot. I credit, mostly, all of Hard Soul’s great fans and supporters.
Derek: Walk me through writing the tracks for Fairer Shores, how did they come about? Did you take from personal experiences with the lyrics and how did each member in the band contribute to the overall process? Was there a specific theme/concept that you were trying to follow?
Johnny: Each song I wrote for this EP represents a specific moment in time. I generally demo the tunes out in my home studio and present them to the band. After some rehearsal time and maybe road-testing the tunes live we went into Four Legs Records studio in Washingtonville, NY to track them. It’s 2 full band tracks and 2 acoustic tracks that were recorded during another session a month or so later.
“The Sweetest Heart” – this song was one I had been working on since mid-2014. The phrase “the sweetest heart” had been rolling around in my mind for a long time and I didn’t have a chance to use it until this song started to take shape. In a specific sense it’s about a failed relationship, but in a larger more general way it’s about the emotions that you cope with following some sort of vacuum in your life when you lose something you love. Anger, frustration, yearning, and eventually the realization that you are better off moving ahead. It’s got a super infectious beat and melody to it, and it’s the song a lot of people say they connect with live when they come talk to us after one of our shows.
“It’s All Gone Wrong” – this particular song came together pretty quickly in its early stages. Originally it was a perspective on stagnation in someone’s life and the frustration of navigating through it. Looking back at it now, I can probably say it’s more of a reflection on my own attempts to embrace patience when it comes to the creative process. As a DIY band we don’t have managers or handlers giving advice or dictating how things should go. So I will have bursts of creativity and suddenly have 4 or 5 new songs that I want to start playing or recording so that we can capture that energy instantly.
“Fairer Shores” – In my time as a songwriter I can think of only three occasions where a song came together as quickly as this one. I don’t know where it came from, but I was preparing for a friend’s wedding one morning and suddenly these lyrics started pouring out of my head and onto paper. I quickly grabbed a guitar and fleshed out some chords (including an intro chord pattern that I had been saving for the “right song”) and demo’d the whole thing in a few hours, fast enough to send to both the bride and groom before the ceremony. I’m incredibly proud of that song, and it’s a personal favorite of mine.
“Have to Be A Miracle” – It’s an incredibly personal song for me, and it’s tough to actually dissect it without feeling a little too exposed, you know? It was written very soon after I wrote “Fairer Shores” and every time I get a chance to sing it I’m taken back to the exact moment that inspired it. I’ll let the lyrics speak for themselves. In many ways it’s a follow-up to the acoustic version of another one of our songs “We Burn Like Fire.”
Nick: Having been in the band for all but 1 album, I can comment on some of the overall themes that I’ve seen in the music. The songs are eclectic in thematic nature (and style of music) ranging from optimistic get what you want – heartbreak. However, each song is under the same thematic umbrella of “the human experience” or life as some would say. These songs, deal with emotions and experiences that ALL OF US have felt at one point in our lives. That being said, our band can speak to literally ANYONE on the planet. No audience is cast out, ignored, segregated, or overlooked… sounds very Salka to me.
Ryan: Fairer Shores was the most active I’ve been so far in the writing process when it comes to my bass parts. I definitely put my own spin on the tunes from Heart of Plaster, but I had a little more freedom this time around. When John first showed me the new songs, those bass lines IMMEDIATELY popped in my head and we threw them down on the demos right then. Especially on “It’s All Gone Wrong.”
Steve: Last summer Johnny and myself went out on a little acoustic tour around the northeast. He came to me with the idea for “The Sweetest Heart” as a new one to road test on this tour and it sounded great. We were able to play around with it and see how the arrangement fit. The other three tracks came together quickly after that. The original plan was to do a single with a B-side but because the other songs quickly evolved, we decided to include them, too. In recording the full band tracks on the EP, we were all able to put our personal take on each respective part.
Derek: How has the local scene in upstate New York reacted to your music? Do you have tons of diehard fans?
Johnny: Only supportive. Every show we play there is positive energy flowing out from the stage to the audience and we receive it back from them. Every show we pick up some new fans who stumbled onto our music and find some kind of connection to what we’re doing. I’m very humbled to hear from those folks who dig what we play.
Nick: All I can say is that since the band’s inception (a mere 4 years ago) we have had a steady audience growth and consistent elevation in our level. Higher profile gigs, more gigs, new audiences, more air time. Seems like a good reaction to me. However, I am not satisfied until we’re on the cover of Rolling Stone (laughs). Our fan base is growing and for that I am extremely grateful.
Mark: “Tight” is a word that is brought up consistently when describing our shows.
Ryan: We’ve been given nothing but love from Upstate and beyond. The reaction has been absolutely amazing. Since the band has started, our fan base in the area just keeps growing. Starting off at open mic nights and working our way up to shows like Alive at 5 [The City of Albany’s premiere summer concert series] has been a pretty cool experience.
Steve: I’m not sure about the history of this band regarding this question, but anyone I’ve spoken to since joining the band love the music and energy we bring.
Derek: What do you hope that your tour will accomplish for you as a band?
Johnny: Well, obviously we want it to be a success in all aspects. Many of the stops are in cities we haven’t had the privilege of playing in yet, so it’s a first step in acquainting ourselves with potential new fans. Then repeat endlessly! The core element of being in a band is performing your music to fresh ears, and as long as we do that every night I’m happy to call that success. Plus it’s like going to rock n’ roll summer camp with a bunch of your friends!
Derek: When you play live, what type of experience do you want to bring to your audience?
Johnny: From a personal perspective, I strive to play the best show absolutely possible each night; my guitar playing has to be top notch, my voice on point, because I want to put on the best performance possible for myself. But the songwriter and lyricist in me really wants to connect with everyone through the music and the words. It’s about creating an atmosphere, or vibe, or whatever you want to call it, that will envelop everyone, even for just a moment and they can maybe connect to something in those songs. I also want to showcase all the facets of our sound, be it the full-tilt rockers or the more nuanced acoustic tunes like the ones on the new EP.
Nick: I want people who see us play live to be able to walk away saying “Wow, what a tight band! That was awesome when _____”. Long story short, I want people to enjoy our set and walk away with memories. Guess it’s partially on me to figure out how to create them (laughs).
Mark: People to see the energy I provide to then feel it and live it.
Ryan: I want our live shows to be a fuckin’ party. I’ve been to some live shows where the band just puts their heads down, plows through their set, and it’s boring as hell. The audience should feel like they’re getting their monies worth and the best way to do that is put your heart into every performance.
Steve: A high energy, great show. Want them to remember who Hard Soul is.
Derek: Where would you, dream big here, like to see Hard Soul go in the future? Any specific venues, festivals or anything else that comes to mind?
Johnny: Dreaming big? Probably opening for Oasis on their reunion tour (if that ever happens). Realistically, Warped Tour would be an awesome run of summer touring for us; I think we’d fit the bill pretty well. Any opportunity to perform is a thrill for me. With that said, I think any band that has the guts to leave the safety of their own town to hit the road would probably say the same thing, and I’m happy to be in that category.
Nick: Madison Square Garden, The Times Union Center, The Staples Center. I want it all. Lollapalooza, Warped Tour, you name it.
Ryan: In a perfect world, Hard Soul is opening up for Queens of the Stone Age on an international tour. Josh Homme then asks me to play on the next Desert Session record.
Mark: More shows.
Steve: Just to continue growing and writing great music. Playing bigger venues, sharing the experience with a bigger audience would be great!
Derek: Is there anything else you would like to say before we conclude this interview?
Nick: Anyone want to take me out for sushi?
Mark: Rock on, mates.
Ryan: Stay golden, Pony Boy.
Johnny: Love yourself, love one another. As Johnny Marr says: “Be who you wanna be.”
(Hey guys. Today is truly a wonderful day at MixolydianBlog as I get to show you an interview I did with Tom Thacker. Tom is the lead singer and guitarist for the Canadian punk band Gob, a band that I have loved for many years. Tom has also had gigs playing guitar as a member of Sum 41 and many other amazing bands. He is a punk musician with a unique voice and a unique songwriting ability. I had so much fun doing this, enjoy -Derek)
Derek Kortepeter: So your last release as a band with Gob was in 2007 with Muertos Vivos, can you talk about all the stuff that has been happening musically with you since then?
Tom: (Laughs) yeah, it’s been a little while, sorry about the wait! Since 2007 I’ve been pretty busy musically. Right around the time Muertos Vivos was finished I started playing guitar with Sum 41, so from then until 2013 I was touring back to back between both bands constantly. Touring slowed a bit in 2010, which allowed both bands to start making records. The Sum record Screaming Bloody Murder came out in 2011 and Sum hit the road again, in between tours I worked on the Gob record. Aside from that I played on and co-wrote a few tracks the Rain City Rockers record. I produced a few tracks and co-wrote one on Steven Fairweather (Gob’s bassist) new solo record. I also played guitar with the Offspring for a couple shows.
DK: Can you discuss the process of writing your newest album (Apt. 13) as well as the recording process?
Tom: I write all the time so I had a bunch of songs at the end of 2009. I brought maybe 30 demos to the band, a really random bunch of songs, I honestly wasn’t sure if we had a record because all the songs seemed so different to me. But we listened to all the demos, put it to a vote and it all just kind of fell into place. We didn’t even rehearse; we started recording them right away.
We weren’t signed to a label at the time and we didn’t have a manager we just had a bunch of songs we loved and we knew how we wanted them to sound, so we produced the record ourselves. I produced/engineered and Theo mixed/engineered, we kind of shared duties. We recorded the drums and piano in a studio in Vancouver (The Armoury). Steven’s parents were out of town so we set up a makeshift studio in their basement and recorded the guitars/bass and some of the vocals. We got about half done there but it was taking too long – aka, Steven’s parents came home (laughs), so I had to finish the vocals/guitar overdubs/keyboards by myself in my apartment in NYC. The mixing was done at our friend’s studio in Surrey BC- Richardson Sound.
Mixing took quite a while, Theo and I were living in different cities, he was mixing the record but I had pretty specific ideas of how I wanted it to sound so there was a lot of sending files back and forth.
DK: Gob’s music has covered so many different topics throughout the years, from relationships to socio-political issues such as war. What are some of the themes covered in Apt. 13?
Tom: The lyrics on Apt 13 are mainly personal mainly centered on themes of anxiety. I think I was going through a transitional period in my life the last few years, It was a pretty chaotic time and I was trying to let go of my angst or something and trying to be, I don’t know, normal. Anyway, now I’m back on track, fully embracing my angst (laughs).
DK: How would you say Apt. 13 compares against your past records stylistically etc.?
Tom: Every single one of our records is a reaction to the previous one. You’ll hear elements of the song writing that are similar in all our records but we try to keep it fresh every time and give our fans something new to hear.
DK: Can you talk about “Radio Hell,” what it is about, and why you guys chose it to be your first single from Apt. 13?
Tom: Radio Hell is about resigning yourself to the fact that you live and die for music. Nothing will stop you from making music. That and the desire to change the contemporary musical landscape. There’s a lot of bullshit music out there.
We chose a few songs that stood out to us early on and let our record label make the final decision for the first single. I figured we could let them choose the song that everyone will eventually get sick of (laughs).
DK: Being in the punk scene for so long you have seen many different styles emerge. How do you feel about the current state of punk?
Tom: I honestly only really pay attention to music I like so I would say the current state of punk is great.
DK: Going off of that previous question, the music industry has changed so much in recent years (in my personal opinion for the worst). How do you personally feel about the industry and the direction it is heading in?
Tom: I think the music industry has changed for the better, it’s more transparent now, you can see the major players manufacturing artists in real time on TV and at the same time you see independent artists coming up on their own. It’s pretty apparent what is real and what is manufactured. For those of us that want the real thing, it’s easy to decide.
Plus, with the accessibility of social media it takes the power from the industry and puts it into the hands of the artist. You can market your record online basically for free. It also encourages the DIY spirit. We come from a DIY background and we’ve basically returned to it after being on every type of label big and small. It makes sense to DIY, and the rewards are greater.
DK: Comparing to when Gob started and where you guys are now, how have you changed musically or otherwise?
Tom: I think we’re basically the same, but we put a little more care into our records and live shows and I can grow a thicker beard.
DK: Can we expect a tour promoting Apt. 13? If so will you do shows only in Canada or maybe come to the USA and other countries as well?
Tom: We are touring across Canada in Oct-Nov 2014. International tours will follow!
DK: Is there anything else you would like to say before we close this interview?
Tom: Thanks for doing this! Follow us at- www.gobband.com